ForReelz.com: Reel Reviews | Surreal Experiences
  • Home
  • Film & TV
  • Books
  • Video Games
  • Food
  • Art
  • About
    • Contact Us


​
News | Media

Horror News: Week in Review

5/26/2017

1 Comment

 

Jeepers Creepers Parts 3 and 4

Picture
Rejoice, Jeepers Creepers fans! First on the list this week has gotta be that in addition to part 3 of the Victor Salva franchise entering post-production, part 4 is also officially a go! Diabolique Magazine posted a detailed interview with Gina Philips, who is set to return in part 3 as original character, Trish, along with Jonathan Breck, our original Creeper. She’s confirmed that both parts 3 and 4 will feature flashbacks to tie the separate films together. Philips will now play a mother, concerned that the Creeper will return to claim her son just as he did with her brother, Darry, played by Justin Long, in the original. Oh, Justin Long! We still love you. Your horrible walrus transformation in Tusk made me cry. Don’t judge me. I actually like that film. Determined to protect her son, Trish sets out on a mission to destroy the Creeper.

In the interview, Philips makes it very clear that despite rumors she’s never turned down a role in the franchise but that original propositions for a continuation with her character weren’t seen as a good fit, prompting Salva back to the drawing board to write a new film. It’s been noted that Trish’s presence in part 3 is brief and serves more to pave the way for things to come in part 4, which supposedly is all about her.

“Trish is in me – she’s with me – it’s not hard to come back to who she is at the core. But a lot has changed for Trish over the years. She’s a mother; she’s been through a lot. I haven’t gone through anything like what this character has been through – and I’m knocking on wood as I say this because I’m pretty superstitious – but I am a mom now and I understand that journey of, once you become a parent, you would do anything for that child as far as beg, borrow, steal, kill or die for your child. It was easy to put myself in that place because it parallels my life.”

As for the official plot synopsis of part 3, it takes place on the last day of the Creeper’s 23-day feeding frenzy, as the skeptical Sargent Tubbs teams up with a task force hellbent on destroying the Creeper for good. The Creeper fights back in gory glory as its enemies grow closer than ever before to learning the secrets of its dark origins. 
​
For more information on the new films, including details on budget restrictions and the influence of this on the evolution of the franchise, as well as personal anecdotes from Philips, check out the interview on Diabolique Magazine’s website.

​James Wan to Lead Resident Evil Reboot

Picture
​Producer James Wan is teaming up with writer Greg Russo (from Mortal Kombat, which the two previously worked on together) to lead the reboot of the Resident Evil franchise which is set to feature 6 full-length films. The cast will be entirely new. James Wan producing is great news for fans, and for those unaware the series is the second highest grossing horror franchise of all time behind Alien. Not much more is known yet, so stay tuned for more news.

Who would be your pick to fill Alice’s shoes?

​Let us know in the comments below.

​Dark Universe Cast and Bride of Frankenstein

Picture
​The new version of The Mummy with Tom Cruise and Sofia Boutella is set to introduce a new Dark Universe encompassing many favorites of yore from our beloved famous monsters. Johnny Depp will be playing The Invisible Man, with Javier Bardem as Frankenstein’s monster and Russel Crowe as Dr. Jekyll.

The concept of the new Dark Universe is the organization Prodigium, led by Dr. Jekyll. According to Bloody Disgusting, their mission “is to track, study and—when necessary—destroy evil embodied in the form of monsters in our world. Working outside the aegis of any government, and with practices concealed by millennia of secrecy, Prodigium protects the public from knowledge of the evil that exists just beyond the thin membrane of civilized society…and will go to any length to contain it.”

So essentially it’s like the Ministry of Magic (for all you Potter fans out there) but an entirely separate universe (obviously). 

Bride of Frankenstein is scheduled for release in February 2019. That’s a long time to wait for the next installment, and we’re not sure yet how The Mummy will be received by audiences. But it’s an ambitious and noble undertaking, and for fans of classic horror and series such as Penny Dreadful it’s definitely worth being excited about.

​Terminator Sequel Announced with Return of Schwarzenegger

Picture
​Schwarzenegger’s aging yet lovable mug will once again grace the silver screen in a Terminator sequel produced by James Cameron and directed by Tim Miller of Deadpool fame. Not much more is known about the new reboot other than that Genisys is rumored to be wiped from the board in the new storyline.

I actually enjoyed Salvation for what it was, although I know it’s an unpopular opinion. With Schwarzenegger’s return though, and Cameron and Miller’s involvement, we can hopefully set moderate expectations for this latest edition.

​Danny McBride's Halloween (2018)

Picture
​There’s news from Danny McBride on the latest Halloween (2018).

It’s been an interesting turn of events to see our beloved funny man from Eastbound and Down and Pineapple Express pursue, apparently, his horror movie passions. His involvement with Alien: Covenant was a bit underwhelming for me, primarily because his comic talent was totally underutilized in the same vein that the acting talents of Charlize Theron and Guy Pearce have also been underutilized in the new series.

That said, it’s intriguing that McBride has co-written the script for the latest edition to the Halloween franchise with David Gordon Green (also from Pineapple Express and Prince Avalanche with our beloved Paul Rudd) and the influence of John Carpenter, who has given his official okay on the project.

All that’s currently known is that intentions are toward Carpenter’s original ideals for the first film. From what we’ve read, this means a throwback to the simplicity of the slasher film without involving over-complex supernatural elements. With no previous horror films under their belts as writers, it will be interesting to see how this plays out. But as a die-hard fan of Pineapple Express, we have faith.

This isn't the only transition from comedy to horror we've seen lately, à la Jordan Peele with the wildly successful Get Out. Impress us, McBride and Green! 

John Wick Mythology Expands in Chapter 3

Picture
​An article from Birth.Movies.Death on Wednesday hinted at details for expanding the mythology of the John Wick universe in Chapter 3.

According to Chad Stahelski:

“We want, not so much to go bigger on the third one, but to show you more of the intricacies of the world… I feel like there are all these different subtleties that I skipped over in Number Two, that I’d like to go back to on (chapter three) and show you the inner workings of different parts of New York. So rather than massive set pieces, I’d like to show you cooler and more intricate ones… I think it would be a mistake budget wise and creatively to just go big and blow up a freeway. That’s not our gig. That’s a comic book or a Bond gig. We want to show you cool and intricate details. What are those little details in everyday life? Hopefully – we make people look at garbage collectors and cleaner vans and homeless people a little differently now.”

Stahelski co-directed John Wick: Chapter 2 with David Leitch (known for stunts on multiple films such as Fight Club and 300 and now Director of the highly anticipated Atomic Blonde). According to Birth.Movies.Death, Stahelski is now attached to the Highlander reboot, which we will detail later, so we’re not sure how much of a hand he will play in direction of part 3.

Collider has some interesting theories on where they think Wick’s character will go emotionally in part 3, so check that out now!

Get Out Follow-Up Announced

Picture
​An official Get Out follow-up from Jordan Peele’s production company, Monkeypaw Productions, has been announced for March 15th, 2019. According to Birth.Movies.Death we have no clue yet about the storyline, characters, or cast. But it will be another social thriller with a budget of about $25 million – roughly 5 times that of Get Out.

​Monkeypaw will produce the film with Universal while continuing smaller projects with Blumhouse. Mondo also released some limited edition Get Out posters this week. They are always on top of the game!

​Suffice to say this is exciting news, and with the additional announcement last week of Peele’s HBO series, Lovecraft Country, the sky is the limit for Peele and crew, and we support this wholeheartedly!

​Castlevania Series on Netflix July 7th

Picture
​In television and streaming news, our minds were pretty blown away by the official Castlevania trailer, which was released on Wednesday. We’ve been waiting SO LONG for this since the Netflix series announcement in January.

​It launches July 7th, which is right around the corner, and we LOVE the addition of the original Nintendo game system and cartridge (which he actually BLOWS – bad move, bro! no moisture) as part of the actual trailer. Is this going to be super-meta? Even a little meta? Let’s hope so! Even if not, the visuals are absolutely gorgeous, going in the vein of anime/manga styling. The music is equally impressive. Netflix is really killing it the past year, and we are totally okay with this.

The new trailer doesn’t give us much in terms of characters or plot, other than “the man who killed Dracula,” but it is gorgeous!

​What are you most excited for? Which Castelvania game is your favorite? And which plot elements or characters do you hope the series includes?
Picture

Game of Thrones Season 7 Trailer

Picture
The Game of Thrones Season 7 trailer was also released Wednesday.

​We're thrilled that Daenerys finally makes it to Westeros after 6 seasons of meandering through Essos! Will she claim the throne? Despite hinting at her success, we all know the trademark brutality of this show, so most likely not. But how will they handle this? Allowing her to seize the throne seems almost too easy and definitely too much of a happy ending to her story, but that leaves the task of presenting her fall as intriguing and complex rather than anti-climactic. 

And how will we see Jon’s lineage impact his storyline?  How will his character evolve in light of this new reveal? If he is actually Targareyen, which was heavily suggested in flashbacks from last season, what will his role be in Dany’s quest for the throne? 

As for Arya, she looks like she has finally made it to the North while Petyr continues to act as the devil on Sansa's shoulder. Will Sansa be the queen who dethrones Cersei per the prophecy of Maggy the frog? Will Petyr maneuver her there?

What do you guys think? And what are you most excited about in season 7?


​Stay Tuned

That’s all for this week’s breakdown. Stay tuned next week for more news in review!

If there’s something we missed that you’re excited about, please let us know in the comments below!

What were you most excited about in horror news this week?
1 Comment

Video Vortex: Crocodile Fury

5/25/2017

0 Comments

 
Picture
If you saw the above image and thought to yourself, "Wow, that looks like a dude riding a flying crocodile," then you are indeed correct. Mostly anyway.

Crocodile Fury
marks our third visit to the group known at Alamo Drafthouse as Video Vortex: VHS insanity from beyond the universe. 
“VIDEO VORTEX unearths ultra-obscure, ultra-bizarre movies from the fringes of the universe. And beyond. Every movie is curated to potentially be the greatest thing that you've never seen. This is a showcase for movies that were only released -- or never released -- on home video. But here, they're blown up on the big screen and ready to annihilate reality in ways that aren't possible in the safety of a living room. From Turkish bootlegs to D.I.Y. goreblasts, these movies are surreal, hilarious, and admirable -- usually all at once.”
Each month, the group showcases a film, always prefaced by our hosts with fun behind the scenes info and trivia. Add to the experience fellow appreciators of the obscure as your theatre mates as well as some beer and popcorn, and you pretty much have the most amazing date night ever. You know. If you’re into that sort of thing.

This past visit, they even held a competition between two of the audience members. The prize? VHS copies of Crocodile Dundee parts I and II. Of course.
Picture
Our first foray to the event was The Brain followed by Things and now the bizarre Crocodile Fury. Next up is Desperation Rising for which we’ve already bought tickets. Suffice to say, we have loved every one and look forward to watching each new film to which we otherwise would have never been exposed. ​
I’d like to start chronicling these adventures to a) give mad props to the guys in charge of running Video Vortex without whom we wouldn’t have these oddities to enjoy, especially in Dallas, and b) spread the love of these wackadoodle films!
​
So where do we begin with a film that contains vampires, zombies, witches, and crocodile shapeshifters?
​
The Vortex team pitched it like this:
“No animals were harmed during the making of CROCODILE FURY, but many humans were. Deep within the jungle, raging crocodiles devour men, women, and especially children for no good reason. BUT ALL IS NOT WHAT IT SEEMS! The killer crocs are really the ghosts of reincarnated humans who battle for the fate of the universe against hopping vampires, martial arts zombies, and a witch with Freddy Krueger fingers. For real!! With generous helpings of deranged crocodile puppets, lo-fi gore explosions, and stolen Kraftwerk songs, CROCODILE FURY can best be described as JAWS meets WONDER SHOWZEN meets who-the-fuck-knows. Directed by Godfrey Ho -- the person responsible for over 140 ninja movies -- and screening from a bootleg tape with Greek subtitles for maximum confusion.”
Godfrey Ho apparently purchased the rights to previously made Thai films for a very cheap price, then expanded them into full-length features with added footage. He then marketed them with badass looking posters that made the films look way cooler than they actually are (well, I guess that's debatable) to get people in the theaters. 

Based on this, we'd assume there's a Schwarzenegger type macho man and a super hot babe fending off deadly crocodiles with the help of special forces units in the expanse of an enormous body of water. There's guns and explosions and boobs. Right?  
Picture
Wrong. Mr. Muscles is not even present (unless that's supposed to be the Master of the Sea), and if the babe is supposed to be Monica, the only Caucasian female in the cast,  we're not sure why she's in the mouth of a croc on the poster since she has more to do with the hopping vampires.

Sound bizarre yet? All this combined with, as mentioned, Greek subtitles, makes the viewing experience completely insane. In a very good way. 

The audio is dubbed. The scenes which were added to the existing footage have no real correlation to the rest of the film other than the random appearances of hopping vampires and zombies.

​We follow a group of villagers who are plagued by crocodile attacks and Jack (it should be noted that all the main characters have bland white people names like Donald and Jack), "a man of faith," who is attempting to get to the bottom of all the craziness as well as a group of demonic crocodiles who shift between human and crocodile form and live in a den which seems to exist in some type of alternate dimension beneath the river. 

There is also Monica, the "witch with Freddy Krueger fingers," whose primary spellcasting technique involves waving her hands in a ball-like motion while chanting, "hummahummahummahumma," and sometimes pointing her fingers with an added "dink!" sound effect to summon or dismiss her minions.

​So, basically what I'm saying is I already know my Halloween costume for this year.
Picture
 
​The crocodiles are of course incredibly fake looking puppets, and much of the time during attack sequences they don't even open their mouths but simply sway their noses toward victims who scream in chaotic terror. There are a lot of close-ups of croc teeth meant to instill fear. Or hilarity. Villagers seem to fall aimlessly into the water and yet manage to land precisely inside their assailants' jaws, but when rescued later they have no wounds or signs of bleeding.

One crocodile does steal a baby. Why, you ask? Why not?

So what the hell are all these crocodiles doing? Well, Monica decides to work with Cooper, the Master of the Sea World, to take possession of the villagers' souls. Monica reanimates the dead into her vampire minions while Cooper sends demonic crocodiles to make them into one of their own. For some reason we have Jack, too, because Ho needed to add enough extra scenes for a full-length film. And in the midst of all this mayhem is also some romantic drama.

Because let's be real: at the heart of this film is actually a love story. Yes, that's right. Crocodile shapeshifter and human forbidden love. And crocodile shapeshifter-crocodile shapeshifter love. Or something. We think.
Picture
 
If you can find a copy of the VHS somewhere, don't hesitate to snatch it up, no matter the subtitle language. 

Video Vortex screenings are held nationwide, so if you're interested in joining the fun then check out your local Alamo Drafthouse.

Have you been lucky enough to see Crocodile Fury? Let us know your thoughts in the comments below.
0 Comments

Horror News: Week in Review

5/22/2017

0 Comments

 
​Hey, guys!

Each Friday we’re going to talk about our favorite tidbits of industry news from the week.
​
So, let’s dive in!

Television/Streaming

​Top on the list, of course, is Sunday’s new series launch of Twin Peaks on Showtime. I haven’t sat down yet to watch (although I’m planning on it tonight), but what I’ve read so far about audience response has been overwhelmingly positive in every aspect hardcore fans would hope for – zany, funny, creepy, amazing music, and generally awesome. We’ll follow the series more closely as it progresses, so stay tuned for deeper thoughts. In the meantime, drop everything you’re doing and go pop that on your television screen!
In other TV series announcements, four others in particular were of note last week:

The first is Jordan Peele’s Lovecraft Country coming to HBO. It’s being marketed as “racially charged” while combining social and horror influences, so we certainly expect this to continue in the vein of the unanimously successful Get Out.

Peele is set to Executive Produce along with J.J. Abrams, but showrunner/lead writer will be Misha Green (also executive producing). The series will be based on the 2016 novel written by Matt Ruff and takes place in 1950’s Jim Crow America featuring main character Atticus on a quest to find his missing father. Lovecraft Country will be anthological, and, according to Deadline, aims to “reclaim genre-storytelling” from the African-American perspective.”

Green is primarily known for creating the television series Underground but has also worked on Helix, Spartacus, Heroes, and Sons of Anarchy.

Fingers remain crossed that Peele and Abrams will at least have some writing and directorial influence, but regardless – it sounds like a recipe for awesomesauce.

Picture

​The second, which you can read about in greater detail on our spotlight piece here, is the new Netflix series The Dark Crystal: Age of Resistance. This is a prequel series produced by The Jim Henson Company coming exclusively to Netflix with release date yet to be announced. But there’s some amazing content on their website and a lot to be excited about, so go check it out!

Picture

​Third, fans of the 2013 science fiction/action thriller Snowpiercer should be excited! A new series continuation is coming to TNT (an interesting network choice).

Daveed Diggs has been cast as frontman Layton Well. From what we know so far, he, like Chris Evans' character in the film, lives at the back of the train with pet rats and a reliance on Chronole.

For those unfamiliar with the original story, we find ourselves in a post-apocalyptic ice age setting in which survivors have boarded a train which continuously cycles the same year-long track. It’s divided into a social cast system, with the poorest or “lowest” living at the back eating manufactured bars of bug guts while the upper class dine swankly and party in hot tubs. To summarize, anyway.

For people who haven’t seen the film (or haven’t read the French graphic novel), we won’t say much more here other than we highly encourage you to check it out. It was one of my favorite science fiction films of the past few years, and I’m really curious to see which direction they choose to take with the storyline and characters as well as how TNT will handle the graphically violent and incessantly dark nature of the tale.
Picture

Fourth, also coming to Netflix is a series based upon the book series, The Witcher, also known by the hugely successful video game franchise, which reportedly follows the novels closely.

Forbes published an interesting article on the announcement with casting choices, which you can read and debate here.

As for my lame, old school PS3-owning ass, I finally have a PC worthy of playing Witcher 2, so I’ll hopefully be getting around to that sometime soon.

In the meantime, what are you guys most excited about for this installment?
Picture


​Art/Fandom

​Also this past Thursday, Mondo released some absolutely gorgeous limited edition Labyrinth posters and pins. I wanted to snag one super badly, but of course I missed the window before they sold out. By the time I decided which poster I wanted, at around noon on the only day they were available, both the standard and variant were already gone. Mondo sells like hotcakes! Beautiful, beautiful hotcakes. But check these out if you’re a fan. You might be able to find a resell somewhere.

​Film

In science fiction/horror film news, Alien: Covenant opened this week to an underwhelming $36m.

For an extensive analysis or “everything explained” on the film, check out FoundFlix’s breakdown here.

Personally, I wasn’t thrilled with Covenant, but I wasn’t a huge fan of Prometheus either. The best way I can summarize is that to embrace the “new” Alien franchise means a complete rejection of everything we’ve been familiar with in past editions. What does that mean? Well, the most interesting parts of both Prometheus and especially of Covenant have much more to do with AI than of an alien species. For me, it really seems more in line with a longterm science fiction television series than a film franchise. But fans should go see the film and decide for yourselves!
Picture

The Gate celebrated it’s 30th anniversary this week. I remember watching this film for the first time ever on a cold, cold Halloween night (yes, even in Texas!) by the fireplace with my awesome horror and sci-fi obsessed mother. It quickly became a favorite. No wonder, since it’s garnished a huge cult following over the years.

Bloody Disgusting published a pretty awesome article on a 3D remake “that was never made” which you can read more about here.
​
The remake was announced in 2009 and was set to be led by Alex Winter of Bill & Ted fame. Check out the Bloody Disgusting article for more detail and images. And in celebration of one of our cult favs, please go buy the blu-ray release from Vestron Video and relive your childhood nightmares!

Picture

Our fav dudes from Shaun of the Dead and Hot Fuzz, Simon Pegg and Nick Frost, have teamed up to form the horror-comedy production company, Stolen Picture, with their first official project titled, Slaughterhouse Rulez. FINALLY!
​
The plot of the film includes a boarding school and an incident of fracking unleashing deadly effects. Let your imagination run wild with that one! With Pegg and Frost on board, we’re sure it will be fantastically hilarious! You can read more about Slaughterhouse Rulez from Deadline, here.

Picture

​Horror icon George A. Romero is shopping around his new zombie flick, Road of the Dead, for financing.

The plot concerns zombie prisoners racing cars on an island to the delight of wealthy humans.
Romero has reportedly handed off directorial duties to Matt Birman, a worthy choice with loads of experience in the genre.

To read more about the film in depth, see Bloody Disgusting’s write-up here.

Picture

​For Marvel fans, fear not – the most lovable and adored Tom Hardy has been officially announced to play Venom in the upcoming Spider-Man spin-off from Sony. Not much is yet known about this new spin-off, but The Guardian published a pretty sweet article about why they think Hardy will be amazing, which you can read here.

Director Ruben Fleischer of Zombieland encourages good vibes.
Picture


​Events

​In event news, the Famous Monsters Convention takes place this Friday-Saturday, May 26th – 28th in good, ole Dalles, Texas. Guests feature: Sarah Karloff (Boris’ daughter), Butch Patrick from The Munsters, Ricou Browning of the infamous Creature from the Black Lagoon (which I grew up watching in 3D glasses with my dad), Diane Franklin, cast members from Star Trek: The Next Generation, Shinji Higuchi (Director of Shin Godzilla and Attack on Titan I & II) and Sean S. Cunningham (writer and creator of the Friday the 13th franchise).

There are also tons of awesome screenings, including Akira, Shin Godzilla, and some lesser known indie flicks, as well as panels with Sarah Karloff, Shinji Higuchi, Sean S. Cunningham, and The Next Generation cast, among others.

The convention also features an amazing build your own lego mini-Godzilla event available throughout the weekend as well as FREE (yes, we said FREE) laser tag. Rest assured, there will be some impressive cosplayers, vendors and photo ops abound as well.

You can purchase tickets and read more about the convention here.
That’s all for this week’s breakdown. Stay tuned next week for more news in review!
​
If there’s something we missed that you’re excited about, please let us know in the comments below!
0 Comments

Everything We Know So Far about The Dark Crystal: Age of Resistance

5/18/2017

1 Comment

 
Picture
As soon as I read the announcement this past Thursday morning, I immediately went in search of every detail I could possibly find about the new Jim Henson Company series coming to Netflix.

Every time I got sick as a child, we'd rent The Dark Crystal from the grocery store (because that's where you rented movies in those days) to make me feel better. We finally got it on VHS years later, and it was like finding the Holy Grail. I also remember getting my first VHS of Labyrinth from a family friend, who managed a Blockbuster, because in those days movies weren't as easy to buy. I proceeded to screw up the cover by actually trying to solve the maze with a pen. But anyway. That's another story. 

For me, films like Labyrinth and The Dark Crystal fueled a huge and significant portion of my childhood imagination and fascination. The depth of the worlds, the memorable characters, creatures, voices, and music, the whimsical ornateness of the visuals, the adventure and even haunting, frighthening elements of the stories aren't just watched - they are experienced and cherished. 

On the series' official website, the team has put together a beautiful timeline of the entire Dark Crystal universe, which you can fall in love with here.

Take your time exploring because there are some really amazing photo galleries of characters and Skeksis, urRu and Pod People artifacts as well as behind the scenes footage. There is also an informative timeline tracing the making of the original film from its origins in 1976 to its U.S. premiere in 1982 and UK/France premiere in 1983. If you need to cram for Dark Crystal trivia night, there is also an Encyclopedia and a Glossary.

Look at this awesome artwork!
Picture

So What do We Know so Far?

The 10-episode fantasy-adventure series comes to Netflix as a prequel, taking place many years before the first film, with release date currently unannounced. It will be filmed in the U.K. and will feature fantastic creatures by Jim Henson’s Creature Shop™ and the original film's concept designer, Brian Froud.

The series will be directed by Louis Leterrier (Now You See Me, The Incredible Hulk), a self-professed and passionate fan of The Dark Crystal universe. It will be produced by The Jim Henson Company and executive produced by Leterrier, Halle Stanford and Lisa Henson (Henson's daughter and acting CEO of the company). Writers include Will Matthews (Life in a Year) and Javier Grillo-Marxuach (Lost, The 100), among others.

The involvement of both Lisa Henson and Brian Froud is promising. We know that the Jim Henson Company's influence will keep the new content close to its source material. 

So what's the story?

The main plotline:
"When three Gelfling discover the horrifying secret behind the Skeksis’ power, they set out on an epic journey to ignite the fires of rebellion and save their world."

For those unfamiliar with the timeline of the entire Dark Crystal world, there is a book entitled, The Dark Crystal: The Novelization, written by A.G.H. Smith in 1982 and based upon the script and production notes of the film. It features gorgeous illustrations from Brian Froud and divulges in much greater detail the mythology and history of Thra.
 
Reportedly, Smith gave a draft to Jim Henson, who returned it with 20 additional pages of notes. So we know his input played a large role in the novel's creation. This expanded lore now serves as the foundation of the mythology for The Dark Crystal universe and will be utilized for the new series.
 
In other historiography, the graphic novel series entitled The Dark Crystal: Creation Myths from Achaia Studios Press delves into the origins of Aughra, urSkeks, Skeksis, Mystics, Gelfling, and the Dark Crystal itself.
 
​We read the tale of Aughra's birth and of her son, Raunip, the evolution of her relationship with the Gelfling and their development on the planet, the arrival of the urSkeks, the division into the urRu and the Skeksis, and much more awesomesauce.
 
There is also a continuation of the original film's story, taking place hundreds of years later. Originally planned as a film, it sadly failed after 12 years of development to ever make it to production.  The story did eventually take shape in the medium of a 12-issue comic book series called, The Power of the Dark Crystal. Presumably these might be used to continue the series on Netflix, but we'll have to wait and see!.
 
The existing world timeline presents us with 3 currently known eras: The Age of Innocence, the Age of Harmony, and the Age of Division.
 
Based on this, I'm hypothesizing that this new tale will take place long after the births of Aughra and her son, Raunip, as well as the arrival of the urSkeks. But hopefully, we will at least get to see some cool, albeit perhaps brief, backstory footage on the creation of the Castle of the Crystal and the construction of The Great Observatory, embellishing upon the lore of the original film.
The series' title, "Age of Resistance," places us somewhere after the Second Conjunction and the Great Division, when the Skeksis and the Crystal begin to taint Thra with darkness. There is then The Gathering of the Gelfling, the creation of the Wall of Destiny and the beginning of the Garthim War.  

It is at this point I believe we'll  meet our 3 main characters, lighting the torches of prophecy and venturing out into the dangers of Thra to become heroes and eradicate the darkness.


The teaser trailer released this past Thursday doesn't give us any glimpse of what the new series has in store other than an homage to the magic of Jim Henson, his dedication to the craft and his pride in the film's creation. These are all great messages for the new series' audience: we expect to see elaboration on the original wonder and enchantment of the first film as well as an entirely new, visually rich tale to fall in love with and to enhance the mythos.

​Along with warming the hearts of our own inner children, there are additionally now entirely new generations who have yet to experience the journey. 


​Bottom line: there's a lot to celebrate and to be excited about here.
Fan guys and gals, better start swiping up your Dark Crystal memoribilia because with the launch of the new series the original value will grow. I had to snag one of these Kira and Fizzgig Pop!s as well as the hardcover copy of Smith's novel. At Texas Frightmare Weekend, we spotted this gorgeous original poster, and now I'm cursing myself for not snatching it up!

If you're not a part of memoribilia-obsessed nerd culture, no worries. You can simply fantasize about the splendor in anticipation of more news for Age of Resistance!


What are you most excited about for the new series? Let us know in the comments below!

Watch the Teaser Trailer Now!

To subscribe to the official series' mailing list with news, media and more, click here.

Read the official press release here. 
1 Comment

Texas Frightmare Weekend 2017: Recap

5/17/2017

0 Comments

 

Intro

2017 marks my first journey to Texas Frightmare Weekend, but I certainly hope it won’t be my last! With Fantastic Fest 2016, more of a straight forward film festival, having been my only previous exposure to anything similar to a horror convention, I really didn’t know what to expect. What an experience! It’s honestly taken me a few days to process all the input.

This was the convention's 12th year, and it takes place in good ole Dallas, Texas, so near and dear to my heart, at the Hyatt in DFW airport. We were blessed with some gorgeous 70-80 degree and beautifully sunny weather, and this year featured thousands of people from all over the country (well, and world) in attendance.
           
There’s plenty of random IG photos in case you’re interested in what it’s all about. Search hashtag #TFW or #texasfrightmareweekend, and you’re sure to get a load of results. 
           
There were some initial setbacks with the entire Stranger Things cast cancelling and later on in the weekend The Walking Dead group (save for Pollyana McIntosh) as well. Turns out the most likely cause was attendance at the MTV Awards. But attending guests are listed here. For me, personally, Dario Argento and the Fright Night panel were enough to make it worth while. But there were also: Malcolm McDowell, Freddie Highmore, Nestor Carbonell, Danny Lloyd, Michael Berryman, Dee Wallace, and many others. So plenty horror fandom to appreciate!
           
The weekend kicked off with screenings of The Thing at Alamo Drafthouse with cast and crew members Thomas G. Waites, Wilford Brimley and Dean Cundey, and Army of Darkness including a Q&A with Ted Raimi. Time only allowed for us to join one of these, but The Thing in 35mm at Alamo Drafthouse was well worth it to see on the big screen and to witness the group discuss the film and answer audience questions.

Mondo also put out some limited edition posters as well as a board game, THE THING: INFECTION AT OUTPOST 31, for the 35th anniversary screenings. FoundFlix and I got to dabble a bit with the board game at the Mondo table, and we can't wait to pick up a copy. The Thing posters, as well as a few others,  feature a standard and variant. In regard to The Thing, both are gorgeous and wonderfully capture the cold, isolated, tense and pervasive tones of the film. 

Mondo also had amazing poster editions for Phantasm, Halloween II, An American Werewolf in London, Friday the 13th Part 3, Phenomena, and Wes Craven's New Nightmare.

For links to other great recaps of the convention, please skip to Other Media, at the very bottom of this article.
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture

Panels

  • Pupper Master: The Littlest Reich
    • Let’s start with the fact that Udo Kier showed up late and sat on a table, then talked about how he got so ridiculously drunk the previous night from fans buying him drinks at the bar that a random guy (thanks, sir) had to walk him back to his hotel room and throw him onto his bed. This guy is always ON with the entertainment, charisma and humor. Can’t say enough good things. Between him and Wilford Brimley, you need no further motivation to attend. You will be entertained by every inane thing that escapes their mouths.
    • There was some interesting dialogue between Udo and Charles Band, in which Band seemed generally annoyed that Kier suggested films had been made simply to make money.
    • The most exciting part of this panel was discussion on the preference for practical over CG effects as well as the unveiling of the newest puppet:  The Happy Amphibian (see photo below). Inside sources tell us he shoots daggers from his mouth. Foundflix was able to see some behind the scenes footage on the making of the latest edition to the franchise, which you can view here.
    • Of note: the latest edition, The Littlest Reich, is written by Bone Tomahawk’s S. Craig Zahler and also produced by Dallas Sonnier and features old school love Barbara Crampton. Sonnier essentially propositioned Full Moon for the licensing rights. So if you’re a fan of that wonderful indie Horror-Western gem, you should have some hope invested in this latest Puppet installment.
    • For more info about the new Puppet Master, follow them at @PuppetMasterMov on Twitter.
Picture
Picture
  • Dean Cundey
    • For those of you unfamiliar, let’s breakdown some of his most beloved films as Director of Photography:
      • Apollo 13
      • Casper
      • The Flintstones
      • Jurassic Park
      • Death Becomes Her
      • Hook
      • Nothing But Trouble
      • Back to the Future series
      • Road House
      • Who Framed Roger Rabbit?
      • Project X
      • Big Trouble in Little China
      • The Thing
      • The Fog
    • The most interesting things I took away from the Cundey panel were his discussions on being “invisible” as the cinematographer and not imposing a specific viewpoint or perspective on his audience and how that aligned with artistic/visual/director input.
    • He told an interesting story about working on Nothing but Trouble and how Demi Moore actually proved to be an effective comedic actor, inciting Chevy Chase to react negatively, insisting that her lines should be his. Apparently, Chase is an asshole. Cundey talked briefly about directors’ common complaints concerning various actors and the constant struggle between these roles on set, referencing Kate Winslet. You can IMDb this to your heart’s desire.
    • He also talked about the evolution of the industry and his desire to be a part of the low-budget and indie films by way of getting a stronger grasp on these films as a whole, less Hollywood bullshit ruling the final product, and getting to feel like a guide to filmmakers just coming into their own. This seemed to be a common theme throughout the weekend.
    • Dean Cundey’s panel is available in full length here.

Picture
  • Fright Night
    • Director and writer Tom Holland made a major statement on the interference of Hollywood executives over the evolution of the industry. He spoke about how much of an interference and NIGHTMARE Hollywood execs had come to be at play by the time he made Child’s Play, during which he felt like every move he made was judged and discussed, much adverse to the free reign he’d had with Fright Night. Chris Sarandon even talked about playing a daily role as interpreter/counselor between Holland and execs just to keep Holland sane. It’s really interesting to think about the evolution of the film industry in terms of production and the commercial side.
    • One thing I greatly admired about Tom Holland’s contributions to the discussion were his insistence on integrity as a filmmaker – it really was HIS VISION (for both Fright Night and Child’s Play) and, according to him, there was a limited period of time in Hollywood where this was possible without intervention. At one point during the filming of Child’s Play, execs told him to can Chucky in the third act. Holland’s response: “There is no third act without Chucky.” Makes you realize the gap between exec and crew/production perspective.
    • When asked about the remake, Holland observed that he wasn’t consulted for opinion on what made the first Fright Night successful, and it seemed obvious that there was a little bitterness here. I personally enjoyed the Fright Night remake almost as much as I enjoyed the Evil Dead remake, but I’m also not giving either of them any free passes – as remakes you automatically get subjected to the perspective of original hardcore fans, and there’s no way around this. Whether or not it’s done well, it owes some respects to its origins. This was a sentiment also conveyed by Dario Argento regarding the Suspiria remake.
Picture
Picture
  • Suspiria
    • The Suspiria panel featured Dario Argento, Stefania Casini, Barbara Magnolfi, and Udo Kier. Most importantly other than Argento was Claudio Simonetti from Goblin. It was an amazing honor to shake hands with and meet the austere Dario Argento.
    • Takeaways from this panel included Argento’s elaboration on his experiences with female beauty, which I found particularly fascinating. He told stories about his mother, a famous photographer, and his experiencing shoots, often in the nude, of Sophia Loren and other iconic beauties of the time. As a young child, his fixation was less on the sexual aspect and more on the image or idea of feminine beauty. This statement, as a longtime fan, made me understand his work so much more.  
    • He also took into account the color RED, and how much this influenced the film. Multiple times technicolor and Disney’s Snow White were mentioned, and Argento didn’t hesitate in agreeing how big of a factor these were in the creative process. The over-saturated and hyperrealized colors of Snow White were a huge influence in the making of Suspiria. 
    • The staff of TFW also presented the panel members with the 40th Anniversary Suspiria Awards in recognition for the film's contributions.
    • A full video of the Suspiria panel featuring moderation by Elric Kane from Blumhouse's Shock Waves can be watched here. There's some really great content including actor discussions and the contribution of Goblin's amazing score, so check it out!
Picture
Picture
  • The Thing
    • Wilford Brimley​ seems to steal the show whenever he's around, and it's no wonder - he's freaking hilarious. Most of the laughs that night are credited to him. What a character on and off the screen!
    • One of the most memorable aspects of this film is its notoriety for presenting some of the most amazing practical effects to date and why this should still be significant in filmmaking. So naturally, interesting takeaways included discussions of Rob Bottin's talent, (also: The Fog, Se7en, Basic Instinct, Fear & Loathing in Las Vegas, etc.) at age 22 when The Thing was made, and how significant his influence has been on practical effects.
    • Cundey discusses his close collaboration with Bottin on framing each scene's lighting.
    • When asked his favorite cinematographer, Cundey replied Roger Deakins (The Shawshank Redemption, No Country for Old Men, Skyfall, A Beautiful Mind, The Big Lebowski, etc.) and elaborated, again, on his perspective of cinematography: as the audience, it's important to not be aware of the cinematographer's perspective but instead be sucked up into the visuals. Conrad Hall (The Outer Limits, Cool Hand Luke, Butch Cassidy and the Sundance Kid, etc.) was also cited as an early influence. 
    • For the full The Thing Q&A, please check out Mondo’s footage here.
Picture

Vendor Spotlight

  • Arrow Video (Official Sponsor)
  • Blumhouse Productions
  • Cavity Colors
  • Pallbearer Press
  • Mondo Tees

Random Experiences

​
  • Ran into Amanda Bearse in the ladies’ restroom. Had that awkward moment where I wanted to go over and say, “OMG I love you” and shake her hand, but then realized – we’re in a restroom. This is private time. How would I feel if I was trying to wash my hands and someone came up and did that to me? Instead I smiled at her on her way out, nodded as my line partner said, ”Hope you have a good day – YOU ROCK.” She gave an enthusiastic, “THANK YOU.” She’s also adorable.
  • Sitting at the hotel bar proved to be fruitful. We saw Ted Raimi 2 out of 3 nights as well as multiple other celebs. Also had Fouldflix subs come up and spread the love. The last night, we witnessed the Soska Sisters chilling as well as Dario Argento and Udo Kier conversing over beers. It was good times. I would have loved to have been a fly on the wall in those conversations but *sigh* guess I have some transportation devices to create.
  • There were multiple staff members walking about in costumes for photo ops: Mike Myers, Jason, Jack from Nightmare Before Christmas, the Boogeyman, Groot, Freddy Fazbear from Five Nights at Freddy’s, and even more from fans. My most regrettable moment is missing photo op with the GLORIOUS couple who represented Elisabetha and Vlad from Bram Stoker’s Dracula pre-vampire transformation. That’s some serious fan-dedication to detail, and I am in love. Even the Frightmare panel said they couldn’t concentrate while Vlad was looking so good in the back of the room. Let’s not get into my obsession with Dracula here …
  • Who doesn’t love people watching? It’s like going to Wal Mart in Mexico (which yes, I’ve done) times 10. We have so many different types of people here for so many different types of things. As an observer, I overheard conversations about typical, run-of-the-mill horror to niche audiences. What matters over all of this – we’re here for a purpose – HORROR. And it was really cool to overhear all the love, admiration, excitement, and giddiness over this common passion.
  • The Secret Screening was presented by Unearthed Films. Their rep came into the screening room fully tossed, exclaiming “Aw, fuck yeah!” and bragging about how the screening of the film had caused others to vomit on themselves and pass out. It’s “a SECRET,” he kept insisting. And it’s, “EXPERIMENTAL.” Based on this, I was expecting some pretty shocking shit in the first 15-20 minutes, but instead all we got were incessant voiceovers in a British tone reminiscent of Oliver! “Muh-thah, wheh are you?” … “I’m in the bathroom, Daniel.” But she’s not actually in the bathroom. And then it’s just walking through streets and this weird voiceover shit repeating while he self-mutilates, and he talks about someone he wants to fuck in blood. Or whatever. I don’t know. We honestly lost interest and walked out. But go check those guys out if you want.
  • In another bathroom experience, I ran into a fan who confessed her life story/weekend drama to me. I’m one of those people who is constantly greeted with strangers’ secrets. I guess I have that vibe. I don’t know. But when this girl said the highlight of the weekend for her was meeting Freddie Highmore, the bathroom attendant overheard and chimed in that had driven Freddie and the other Bates Motel dudes to the airport. She said they acted like a group of teenage boys who were friends, and it was fun to see them joking around. What a cool experience! And my stranger-friend exited the bathroom feeling wowed.
  • While browsing the Full Moon Features booth, Charles Band just happened to be present. We were eyeing the blu-ray collection of Subspecies as a) it’s one of my favs, and b) boyfriend says it’s OOP! So we scooped the last available copy up while Band came up and started discussing his favorite Full Moon films with us. We both ended up with unsolicited autographs – my Subspecies collection and the boyfriend’s Torch doll. And Band also threw in a free copy of Trophy Heads, which we proceeded to watch at home that night along with the original Subspecies. In the Puppet Master panel, Band had mentioned the classics of Full Moon that were genuinely good films – Puppet Master and Subspecies. I think he latched onto this appreciation and wanted to share with us Trophy Heads, which he also directed. Truth be told, I enjoyed this film a lot. The chemistry and acting between Jaqueline Lovell and Denice Duff are incredibly entertaining and worth the watch alone! We wanted to chat with Band about this on Sunday, and I also wanted to get my fantastic Subspecies poster signed, but he was then vacant from the stand. NEXT YEAR!
Picture
Me fantasizing about vampire love and war. <3


​Suggestions for TFW Creators And Staff

  • My biggest complaint was the freakin temperature! Jesus Christ, thanks to whatever higher power it takes place in Texas because we often had to defrost outside in between panel sessions. It felt like the AC was running at 60 degrees, which is too cold and uncomfortable. More importantly, it’s distracting when you’re trying to pay attention to a panel discussion, and it’s slightly obnoxious to have to bring extra clothing with you to stave off frost bite while indoors. Please adjust this for next year.     
  • Cancellations for The Walking Dead weren’t announced until halfway through the day on Sunday (the last day) and were written in magic markers on pieces of paper that could have easily been overlooked. Next time, a notification system would be favored via sending emails, texts or whatever to attendees. Some of us specifically came to see those folks, and it’s not really courteous or fair to announce their cancellation so late into the game. I’m not privy to knowledge that cancellations were known way ahead of time than they were announced, but something a bit more effective than a hand-scrawled poster would have been greatly appreciated for many.
  • Line organization for panels was a complete nightmare. We got in line late in the game (about 10 minutes before scheduled start time) for the Bates Motel panel, and who would have known that it was the most popular session of the convention? Where were all you guys when the show got shitty ratings? Apparently, they all went to Texas Frightmare Weekend to see Freddie. The line stretched back to the very end of the main hall, and we literally got cut off from entrance with two other people in front of us. SO CLOSE. But no cigar. Additionally, the formation of the line was unclear with random people joining at any point, causing those who had already been waiting for who knows how long to get pushed even further back. All this would have taken is some clearly marked lines with ropes, a bit more labeling, and more dedicated staff members on task to guide people. It would have been helpful to have a LARGE, easily readable schedule on each conference room for people to know which line they’re even standing in – because that became the biggest issue. At times you couldn’t even tell where people were just walking or waiting in line.
  • Announcements were often made either by a staff member yelling or by overhead speaker, but this was only audible within a certain radius. Next time, a more substantial audio system that would effectively reach a larger portion of attendees would be helpful. The schedule posted in the main hall also sometimes slightly differed from that on the website – these should sync, and when changes occur, again – notification system via text and email. There are ways to instantly reach your audience that aren’t been utilized.
  • The food area had virtually no tables, and many people huddled in groups eating on the floor. I don’t have a problem with walking through this, but people who’ve paid the price for attendance at least deserve to sit in a chair and at a table with their significant other, children, colleagues, or friends and enjoy a meal without getting carpet burn on their asses or being climbed over by those of us who needed to use the restrooms. Can we get a larger sitting/lounge area next year without having to go to the bar upstairs? On that note, the beer and alcohol selection was pretty slim pickin’s. Texas, especially in Austin or Dallas, has a huge craft beer industry, and having a decent selection on tap or on hand other than Budweiser and Miller Light (without, again, having to venture up to the bar, which still had slim pickin’s) would have been fantastic. It’s also a great opportunity for the breweries to mingle and advertise and to support local.
  • The bar and restaurant areas of the hotel were nice enough, and, although I didn’t stay in the rooms myself, I judged, by many young girls’ Instagram selfies, that they were decent. That said, the conference rooms themselves were a bit small for the amount of people attending (a la the Bates Motel incident) with lighting fixtures and covers dusty, rusty and looking as though they hadn’t been updated since the 80s. Nothing wrong with this per se, but from a business expansion perspective you might want to look at hosting the event at a more modern facility, most importantly with more space, but also with amenities that create stronger incentive for attendance. The current location literally inside DFW airport is understandable as a motive, but after 12 years in the same spot – maybe consider an upgrade?
  • Ambiance. While I did feel somewhat of a horror vibe descending the stairs into the cold cave of the convention area, it wasn’t as exotic or consuming as I would have liked. It was literally a hotel with tables and chairs set up. Yes, we have staff and attendees walking around in costumes for photo ops as but what about décor? What about mood and tone? Wouldn’t it be great if the entire area, save maybe for the vendors, felt like walking through a haunted house? We don’t want to get lost, but some red or mood lighting, cobwebs, tombstones, creepy music, displays for photo ops, etc. would have added a unique touch and could enhance the experience by miles. I understand you want people to pay extra for this to attend the party, which did feature some of these things, but why not make the party extra hip and still promote a creepy environment?​
  • Where were all the video games and VR? Wow, what a huge market is being missed with this one. Even the upcoming Famous Monsters Convention (also in Dallas) features VR and laser tag, and Fantastic Fest had horror VR games to try out as well. We did see Five Nights at Freddy's Freddy Fazbear roaming around for photo ops, but other than that – nada. There are so many popular horror games out right now, and that taps into an entirely new level of fandom that is being completely neglected. Why not have an area with VR or panels with some horror video game creators, cast and crew? Guaranteed this would improve attendance, engagement and interest as well as expanding the horror convention to include media beyond film, art and collectibles.

Is it Worth it?

​For $65 for a standard weekend pass and free parking, it seems like a pretty sweet deal to be exposed to so much awesomeness. Granted, I live in Dallas, so the price of airfare and lodging don’t apply. But if you’re so inclined, it’s a worthy investment full of memories and, maybe more importantly, memorabilia. After all, there’s a reason we love this shit.

Other Media

  • FoundFlix posted a vlog on the experience, which you can check out here.
  • The official TFW Facebook page has posted links to multiple sources discussing the event.
  • Dread Central posted a great event report here.
  • Watch Rob Zombie's 31 Q&A Panel on YouTube here.
  • The Bates Motel panel can be watched in full length here.
0 Comments

    Archives

    May 2017
    January 2017

    Categories

    All
    Art
    Entertainment
    Movies
    News
    The Dark Crystal
    VHS
    Video Vortex

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • Home
  • Film & TV
  • Books
  • Video Games
  • Food
  • Art
  • About
    • Contact Us